Asian American Arts Alliance

Waves of Identity: 35 Years of Archiving

Event Details

Waves of Identity: 35 Years of Archiving

Time: September 25, 2014 to March 1, 2015
Location: MOCA: Museum of Chinese in America
Street: 215 Centre Street
City/Town: New York
Website or Map:…
Event Discipline: museum
Organized By: a4 - Network Admin
Latest Activity: Aug 4, 2014

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Event Description

Waves of Identity transforms the Bloomberg Special Exhibitions gallery into an archive environment encouraging open exploration of MOCA’s rich collection of Chinese American history. This exhibition will present over 200 objects and stories, organized in eight sections through a series of provocative questions such as Where Does Chinatown End? How Do You Become American? and What Does It Mean To Be Chinese? This inquiry-based approach will prompt visitors to actively search for answers within archive materials and objects. The featured artifacts, documents, videos and oral histories embody and evoke the lives, complexities, and aspirations of Chinese American communities in New York Chinatown and beyond.


The exhibition will include highlights from MOCA’s special collections and previous exhibitions including intricate paper sculptures from the Fly to Freedom Collection: The Art of the Golden Venture Refugees, Recovering Chinatown: The 9/11 Collection, Marcella Chin Dear Collection, Hazel Ying Lee Collection, the Chinese Musical and Theatrical Association Collection, and more. The exhibition will be accompanied by a fully illustrated catalogue. During the run of the exhibition, MOCA will also offer a series of programs and educational workshops. For updates on the forthcoming program schedule, please check back on the Museum’s website.


Waves of Identity: 35 Years of Archiving is curated by Herb Tam, Curator and Director of Exhibitions and Yue Ma, Associate Director of Collections. Cynthia Lee served as a project advisor. It is presented in conjunction with the New-York Historical Society's exhibition, Chinese American: Inclusion/Exclusion.


Funding for the exhibition and catalog is provided by the S. H. Ho Foundation Limited, Con Edison, National Endowment for the Humanities as part of the New-York Historical Society’s exhibition,Chinese America: Inclusion/Exclusion, and an anonymous donor. This exhibition and related programs are also made possible with public funds from the New York State Council on the Arts (Museum Program), with the support of Governor Andrew Cuomo and the New York Legislature, and with public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

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